• Nori Jacoby
  • Elizabeth Hellmuth Margulis
  • Martin Clayton
  • Erin Hannon
  • Henkjan Honing
  • John Iversen
  • Tobias Robert Klein
  • Samuel A. Mehr
  • Lara Pearson
  • Isabelle Peretz
  • Marc Perlman
  • Rainer Polak
  • Andrea Ravignani
  • Patrick E. Savage
  • Gavin Steingo
  • Catherine J. Stevens
  • Laurel Trainor
  • Sandra Trehub
  • Michael Veal
  • Melanie Wald-Fuhrmann
Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of “music” and “culture.”
Original languageEnglish
Pages (from-to)185-195
Number of pages11
JournalMusic Perception: An Interdisciplinary Journal
Issue number3
Publication statusPublished - Feb 2020

ID: 49869887